The Poems That Got Us In: Mario Melo

Precision

Slime drooling with unrelenting precision

Flattening, with a concrete paver,

The ripples of this lake.

People were drinking air. Moving and

Moving on-

Top of the lake’s ripples, singing,

Performing Cirque du Soleil,

Unencumbered,

Through slime drooling with unrelenting precision.

We talked about heart-shaped glasses, adorning

Statues’ skulls with omnipresent wisdom,

And the ripples of this lake.

Away from the thorns and buildings

Is a little creature, green and scaly, emerging

From the slime, and drooling, with unrelenting precision. It

Scattered through the maze and

Scampered around a kitchen table. It even drank up the lake.

No more ripples.

Only slime, drooling with unrelenting precision.

On Chickens Crossing the Road

The first chicken analyzed

The gray, and oddly uneven terrain,

With the specific curiosity

Of a chicken who had always been in charge.

There was a gait

To its step. Regardless of situation

This chicken walked in

With a slight discomfort in the right wing

From sweeping away reality,

With little to no consequence.

The second chicken perches.

Observing the first, they realize,

Almost in time,

That consequence is inevitable.

So, this chicken waited,

And waited, until the cars stopped,

For a chance to fly to the other side.

More patient than the first,

This chicken keeps looking back. Moving forward,

And looking back.

The third chicken, we think, is the last.

Because three, a prime number, is enough.

Barely divisible by two

Three is a strange figure. It stands like

A liminal space

With a significant distance

From one and two.

Still, the third chicken jumps to keep up.

The one with the most lost

And most gained, this little chicken has real confidence.

It comes from an insistence on—something more

Than a tendency towards—

Breaking free.

The one in front,

Orating from the back,

Told her chickens to fly.

But the farmer was cruel and had a short temper.

Denver

The snow doesn’t stick the same way. Not to me, not to the ground.

It still falls though, slowly, cascading,

Coating the cars and streets and trees. The snow

Is burial, how it covers up death.

The dead squirrel on my runs, is this the last thing it saw?

I wish I were writing this. I would focus on menial tasks

Like binging seasons of Severance, but the

Small flakes of white halls of college and

Endless labyrinths of stuff evaporate, instantly.

The snow is rising from the floor, almost in perpetuity

FOLIO Literary Journal

FOLIO is a nationally recognized literary journal affiliated with the College of Arts and Sciences at American University in Washington, DC. Since 1984, we have published original creative work by both new and established authors.

Past issues have included work by Roxane Gay, Franny Choi, Billy Collins, Ivan Pinkava, Hettie Jones, William Stafford, Bruce Weigl, Yumi Sakugawa, and Ross Gay, as well as interviews with Carmen Maria Machado, Michael Cunningham, Allen Ginsberg, and Charles Baxter.

With over 40 years of history, FOLIO is proud to continue publishing great work.

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