POETRY

  • Jill Barrie's "The Jail"

    Somehow I must incorporate the jail,
    incessant clanging of doors in corridors,

    jangling of keys before doors open,
    after they close.

  • Sam Beal's "creation myth #7"

    a girl falls from the sky

    ‍ ‍ into the sea

  • John Beck's "Marking the Return of the Geese"

    John Beck's "Marking the Return of the Geese"

    It lays
    on the streets
    like heavy
    snow, slick
    when something
    is hidden
    below, unseen
    within its swirls.

  • Kelvin Bias' "Podcast Loop in the Elevator to the Afterlife"

    Whispers begin in the mind’s eye,

    the recess that never ends.

    Lyrics unwind now. Have you begun?

  • Kate Champagne's "Mammogram"

    Remove your shirt.
    Calloused fingers
    scoop my breast
    into a plastic tray.
    The top of the mold
    descends, pinching skin.

  • Joseph Dante's "On the Playing Field"

    Boys were sentinels of gravel and turf,
    legs tearing up miles for sun-faded ribbons,
    a howling species with little to say.

    The girls wore their scars like I wore
    my piebald birthmark: in secret, shared
    only between turns at the jump rope.

  • Becky Kennedy's "In the Garden"

    May: the deepest dark, as if
    there were no end to distance.
    Till dawn opens the garden,
    small horizon of pines spread

  • Ella Flores' "The Divergent Boundary Rips Its Sutures"

    follow the stretch mark & stitch / find the catheter poised
    at the foot of my back / beneath the doldrums whalefalls

  • Gunilla Theander Kester's "The Secret of Night"

    To feel the lower
    slopes reaching up

    while going down, down
    toward the sea tasting salt

  • Susanna Lang's "Between Here and Somewhere Else"

    They don’t need words for this carnival ride
    high above a pier that was once a wartime base
    for sailors—these three sisters who fled
    the war in their own country, far from Chicago
    where girls can swing up high, their bright scarves
    floating behind them, mirrors like miniature suns
    on their skirts and the lake wind wrapping
    its arms around them for the brief time of their flight.

  • Julia Lisella’s “Waiting for a diagnosis”

    my house is on fire, a slow burning
    every book, every sheet of paper, every synthetic rug is a kindling

  • Michael Manerowski's "Make a Time of It"

    You’re in the gray
    neither light
    nor dark
    you’re alone
    nothing’s demanded of you
    and you don’t make
    any demands
    on anyone

  • Amelia Marten's "Everything You've Ever Brought Still Exists Somewhere on Earth"

    I watch another otter dive and turn in a blue tiled pool, pulling up right before the corner,

    the reel repeats silent in my hands, again.
    This is what I can do now.

  • David Miller's "Desk"

    My desk has a drawer with my late mother’s monogrammed calculator, a paper clip shaped like a dolphin, Things to Do heading a pad with nothing written.

  • Dhruvak Mirani's "A long time coming"

    Steps on holy ground become lighter over time
    as the Earth learns to expect you coming
    The dirt loosens out of habit and each blade
    of grass tilts to meet the angle of your feet

  • Paige Passantino's "Shift #746 at The Melting Pot"

    Here is the secret: The cheese comes in plastic bags.

    I will not call myself a chef just because I mix it up and turn a table on, all for a stranger’s birthday.

  • Laura Stanfill's "Mother at the Window"

    The blueberry bushes flush red
    for the winter, embarrassed bare.
    She needs to leave them alone.
    The tall raspberry canes stoop
    to play hopscotch in rain puddles.
    She needs to cut them short.
    Maybe tomorrow. Maybe
    the day after tomorrow.

  • Meg Taylor's "The First Light You Can't Name"

    The night I woke without reason,

    the walls held their breath.

    Even the refrigerator stopped pretending to dream.

  • Lillo Way's "On the Verge"

    Daybreak

    just before it has broken.

    ‍ ‍ Not yet eye-piercing.

  • James K. Zimmerman

    when water
    ‍ ‍ overflows
    surface light
    ‍ ‍ refracts
    my voice